A question has been going through my head, inspired by two unrelated happenings. The first is the deplorable aetosaur scandal that has been making blogging news. The second is that Jack and I are going to see a performance of Richard III this evening. What do Spencer Lucas and William Shakespeare have in common? The answer is that both of them have been accused of plagiarism.
Whether William Shakespeare actually plagiarised his works in detail remains a debatable question (see here, here and here, for instance), but one could certainly argue that Shakespeare did not invent much in the way of original plot lines. Fans of Shakespeare would nevertheless reply that even if that were true, the skill with which Shakespeare built on and improved his original sources surely makes up for his initial "borrowing".
The point I am considering is that our definition of what counts as "plagiarism" seems much broader now than it once was. I'm not referring specifically to the Lucas case in any way here - if the accusations are true, then that probably counts as unethical whatever period you look at it from. Besides, the standards of science are a little different from those of literature. It's just that the question of "what is plagiarism?" has been on my mind as a result of the case.
Herman Melville's Moby-Dick, or The Whale and Edgar Allen Poe's The Narrative of Arthur Gordon Pym of Nantucket were two books that retained their popularity and influence despite large sections of them being derived from other works. For instance, Poe lifted several passages out of Benjamin Morrell's A Narrative of Four Voyages, without even correcting typos. How were Poe and Melville able to get away with it?
One possible explanation that occurred to me was that maybe such extracts were more tolerated in the past was because plagiarism was actually harder to get away with in the past. The pool of authors and readers would have been much smaller in the 1800s than it is now, and as such, the chance that a reader would be familiar with a given source work would have been much higher. Did Poe feel able to draw from Morrell without the need to indicate he was doing so because he felt that most of his readers would have read Morrell and recognised his borrowed passages as such themselves? Whereas in the modern day and age, so many thousands if not millions of pieces of text are floating around out there that it would potentially be much easier to find some obscure source and pass off the work therein as your own. Does increased potential to get away with plagiarism mean that penalties have become higher to try and deter people from trying their luck? What do people out there think?
RFK Jr. is not a serious person. Don't take him seriously.
3 weeks ago in Genomics, Medicine, and Pseudoscience
Another one of Poe's plagiarized works was Thomas Brown's 'Conchologist's Textbooks'.
ReplyDeleteYou're blog has been deemed excellent:
ReplyDeletehttp://thedispersalofdarwin.blogspot.com/2008/02/deemed-excellent-meme.html
Well, that's exactly it, Chris. Plagerism was much more difficult to sniff out in the past because access to a multitude of different works was harder to come by. Today, in the age of the computers, you can routinely type in a suspected plagerized passage into a Google search and find out whether it's a hoax or not.
ReplyDeletezach - that's where I thought Chris was going, but actually, if I'm reading him right, he's arguing the opposite - that the ratio of number of readers to written works was relatively large so that a person who read Poe's Arthur Gordon Pym probably also had read Morrell's Four Voyages and would therefore recognized the lifted passages. If so, Poe would assume that folks would know these weren't his ideas and he wouldn't be called out for plagiarism.
ReplyDeleteBy comparison, today the ratio of readers to written works is quite low, such that the probability of someone reading both the copied work and the original source is small. Thus, a plagiarizer could assume that no one would catch the trangression, so by extension be guilty of intentional plagiarism.
Rather convoluted, but I can see how this could be.
It looks like Michael Barton got there first, but I have also nominated your blog as excellent.
ReplyDeleteCheers,
Sam
I wrote about the implications myself here: 'Smart Bitches, Not Meerly Sex'.
ReplyDeletehttp://podblack.wordpress.com/2008/01/19/smart-bitches-not-meerly-sex/
Could it be that plagerism back then was simply not an issue? Are we looking at the 18th century and judging it with a 21st century ethical world view? What are your thoughts?
ReplyDeleteCould it be that plagerism back then was simply not an issue?
ReplyDeleteThat would appear to be the case. But that still leaves the question wide open as to why it wasn't a problem then - or to turn the question around, what has changed to make it a problem now?